Amanda Heng Liang Ngim
Contemporary artist, curator and speaker
Editions
1988 - Diploma in printmaking, Lasalle College of the Arts; 1990 - Research on Women’s Liberation Movement and Feminist Art, Central St Martins College of Arts and Design, UK; 1993 - Bachelor of Arts (Fine Art), Curtin University of Technology, Western Australia
Women And Their Arts 1991; Staged S/He 1994; Cleveland Performance Art Festival USA 1997; 1st Fukuoka Asian Art Triennial 1997; Women About Women 1998; 3rd Asia Pacific Triennial of Contemporary Art in Brisbane, Australia 1999; Staged Let’s Walk, street performance 1999; Werkleitz Biennale in Germany 2000; 7th Havana Biennial 2000; 1st Women’s Performance Art Festival, Osaka, Japan 2001; Performance Art Festival in Spain 2001; Channel N at Kyoto Art Center 2001; Co-directed theatre production, Bernard’s Story, written by Dana Lam 2001; Performed in theatre production, A Woman On the Tree in the Hill, directed by Ivan Heng 2001; Exchange 05 2005; 1st Singapore Biennale 2006; Staged Our Lives in Our Hands, about the plight of foreign labourers in Singapore 2007
Recipient, Cultural Medallion for Visual Arts 2001
One of the founding members of The Artists Village 1988; Participant, 3rd Artists Regional Exchange (3rd ARX), Perth, Australia 1992; Organised and collaborated on Artists Project, Raw Theatre, The Substation, Singapore 1994; Participant, Nippon International Performance Art Festival, Tokyo, Nagano, Japan 1996; Participant, Rapport, Singapore International Art Festival, travelling exchange exhibition, Singapore, Melbourne, Canberra and Brisbane 1996; Exhibited in Womanifesto and spoke at its Women & Art forum, Bangkok, Thailand 1997; Participant, Cleveland International Performance Art Festival, Cleveland, USA 1997; Curated, organised and participated in Women About Women, a multi-media collaborative event with Singapore International Film Festival and Singapore Art Museum (SAM), Singapore 1998; Artist-in-Residence at Artists Unlimited in Bielefeld, Germany 1997; Formed the Women in the Arts (WITA) collective 1999; Workshop and panel speaker, Fukuoka, Japan 1999; Participant in Rand Festival, Austria 1999; Panel speaker, Asia-Pacific Triennial of Contemporary Art, Brisbane, Canberra and Sydney, Australia 1999; Participant, 7th Havana Biennial, Havana, Cuba 2000
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